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How to Die in a Company That Turned Into a Labyrinth Chapter 10: The murder case in the library

Chapter 10: The murder case in the library

“Seon⁠ Yuhan examines the‍ corpse of a woman lying on⁠ the floor.”

What​​ is this?

Where​‌ is that voice‍‌ coming from?

It​‌​ was a strange‌⁠‌ voice, as if‌‍‍ it came from‌‍ a specific point⁠‌⁠ and at the⁠​ same time permeated⁠‍‌ the entire space.⁠

It‌ felt like an‌ oracle, a divine‍‌ revelation.

It‍ didn’t travel through‌‌ the air, but⁠‌‍ pierced directly into⁠⁠‌ each of my⁠ cells.

“Seon‌ Yuhan examines the‌ corpse of a woman lying on‌⁠ the floor.”

I looked down, at‌ the woman’s body​​‍ or what used‍ to be a woman lying in⁠​​ front of me.‍‌

“Seon⁠⁠‌ Yuhan examines the‌ corpse of a woman lying on‍ the floor.”

How⁠​​ persistent.

Is‍​ it going to⁠ repeat it until​‍ I obey?

Will⁠ it kill me‌​ if I don’t?‍⁠

In⁠ the end, I slowly bent my‌ knees to observe​ her more closely.​

“Seon​ Yuhan examines the⁠ corpse of a woman lying on‌‍⁠ the floor.”

First,‍ the neck area‌ was soaked in‌⁠ blood, and there‍⁠ were also stains⁠ on the floor.⁠‌

Was‍ she stabbed in⁠ the neck?

Her⁠ long hair, half‌‍⁠ tied with a clip, was disheveled,‍‌‍ covering the side​​‍ of her face​​⁠ and her neck,⁠ so I couldn’t⁠​‌ confirm it with​⁠ certainty.

“Seon​​ Yuhan examines the⁠‌‍ corpse of a woman lying on‍⁠‍ the floor.”

The⁠⁠ woman wore a gray knitted top,‌⁠ stained with dark⁠‍‍ reddish marks, jeans,​‍​ and clean sneakers.‌

“Seon⁠‌ Yuhan examines the‌ corpse of a woman lying on⁠⁠‍ the floor.”

Is​ it still not⁠ enough?

Do‌⁠ I also have‌‌ to check her​​⁠ face?

Carefully,‍ I turned the‍ corpse.

Fortunately,‍ nothing happened like⁠​ it actually being‌ a labyrinth monster‍ that woke up⁠​ and attacked me.⁠‍​

First,‍ I checked the‍​⁠ ID hanging from⁠‍ her neck.

The‌‍ woman’s name was​ Kim Gilyeong.

She‍‌ seemed to be‍​⁠ a librarian at‌​ “Chaekbang Ollae”.

If⁠ she has an‌ ID, she is‍‍‌ company staff.

Maybe‌ with it I could enter the⁠ daycare without being‍⁠ considered an outsider.⁠‌

“Seon‍​​ Yuhan examines the‌ corpse of a woman lying on​‌‍ the floor.”

I continued examining Kim​ Gilyeong’s body.

Her‌‌‍ neck was covered⁠‍‌ in blood.

I moved aside the⁠‍ hair stuck to‍ it and cleaned​ some of the‍‍​ blood until the⁠⁠ wound became visible.‍‍​

“Seon‍ Yuhan, upon observing‌​‌ the shape of‌‌​ the wound, determined​ that the weapon‍‌ was not a knife.”

Finally,‌​ the narration changed.⁠​​

Is⁠ it reading my‍‌ thoughts?

How⁠ unpleasant.

“Seon‌‍ Yuhan examines the⁠‍⁠ librarian’s corpse in‌‍ greater detail.”

What‍​ a nuisance.

“Seon⁠⁠ Yuhan examines the‌⁠​ librarian’s corpse in​ greater detail.”

I shook my head‌ and continued observing​‍‍ Kim Gilyeong.

On‍‌‌ her chest there‍ were one or‌ two wounds similar‌⁠ to the one‍‌ on the neck,‍‌⁠ and on her‌ hands and face‌​‍ there were scratches‌‍ and puncture wounds.​

The⁠‍ knitted cardigan was⁠​⁠ torn in several‍ places.

“Seon​ Yuhan determined that​‍ there was a struggle between Kim‍‍ Gilyeong and the⁠ attacker, and deduced⁠ that the culprit‍ probably killed someone‌‍‌ for the first​​ time.”

An‌ impulsive murder, committed‌ without conviction by​​ the attacker himself.‍

And,‌‌‍ moreover, committed by​ a human.

Hostile​‌‍ entities of the‌​ labyrinth do not‌‌ kill in such⁠​ a “human” way.​‌

“Seon⁠⁠⁠ Yuhan reconstructed the⁠‍‍ scene in his‌ mind. For some​ reason, the attacker⁠ concluded that he‌ had to kill‍ Kim Gilyeong and‍‌ stabbed the area​​ near the victim’s‌ heart.”

But​‍‌ what the culprit‍⁠ was holding was‍‌​ probably not a sharp tool made⁠⁠⁠ to cut or​⁠ slice efficiently.

If⁠​ one considers the‍​⁠ shape of the​‍​ wound and the​ environment, where there‍‌ was nothing else‍‍‍ that could serve‍ as a weapon,‌ then probably.

“A⁠ pen is mightier‍ than a sword.⁠‌ But the tip⁠‌⁠ of the culprit’s‌‌‌ pen was not​‍​ strong enough to‍ reach Kim Gilyeong’s‌‌​ heart. Kim Gilyeong,‌ naturally, resisted.”

Probably,​‍ after that struggle,⁠​ she ended up‍‌⁠ dying from being⁠‍ stabbed multiple times‍‍ in the neck.⁠‍

“Then,⁠​ who was the‌ culprit?”

One⁠‌ cannot even estimate‍ their build, much⁠​ less their sex.‌​

In‌​‌ a situation like​⁠ this, those factors‍‍​ are not so‍⁠ important.

Of‌‍ course, that does‌‍⁠ not mean that⁠‍ physical strength does‌‍‌ not matter at⁠ all.

But‌​ in a moment‌‍ where life and⁠ death fiercely compete,​ there are many‌ other factors that‍ come into play.⁠⁠⁠

No⁠ matter how big‌​ or strong you‍​ are, if you​ hesitate, grow overconfident,‍‍‍ panic, or become‍ overly emotional, someone⁠‍‌ half your size​‍ can defeat you.​‌​

Besides,​‌ unless someone is‌​ professionally trained, how‍ would they know​‍⁠ how to properly​‍ kill another person?⁠

And‌⁠ even if they‌‍ did, how would‌⁠​ they apply it​⁠ correctly in a real situation?

And‌​ this, moreover, is​‌⁠ a labyrinth.

A place where anything​‌ can happen, and‌⁠ where being surprised‍​ by it makes​‌‍ no sense.

Trying⁠​ to deduce who⁠⁠‍ the culprit is​‌ right now makes​‌‌ no sense.

“Then,‌‌ where is the‍‍​ culprit?”

For‍​⁠ an instant, I felt a chill‌⁠ in my chest.⁠

“And‌‍​ the murder weapon?‍‍ Where is the⁠​‍ pen with which⁠⁠‍ he stabbed Kim⁠⁠ Gilyeong?”

I looked around urgently.​‌​

No​ presence could be‍​‍ felt. Since I entered.

“Did⁠⁠ he escape?”

But‍⁠⁠ with those comments,⁠​‍ it’s inevitable to‍ get nervous.

I thought that maybe⁠ the door was⁠​ closed, but it⁠‌⁠ wasn’t the case.‍⁠

Even​‍ now, it opened‍​ normally. I could⁠​‍ leave and come‌‍‍ back in.

Whatever​​​ it is, it​ seems that the​⁠ event in the‍⁠​ library has already‍⁠ ended.

“Seon‌​ Yuhan realized that⁠ he had arrived​​‍ too late.”

It‍‍ makes sense. I lost time in​‌ the interview room.‍

About‌⁠​ 30 minutes have​ passed since the‌ labyrinthization began, so‍ whatever happened here‌​‍ already occurred.

“Perhaps,​​ if Seon Yuhan‌ had arrived a little earlier, Kim‌‍‌ Gilyeong would have⁠⁠‌ lived. Like Choi​​​ Jaeha.”

Maybe.‌⁠‌

It’s​ nothing new.

“That’s‌ right. Seon Yuhan​‌ is that kind⁠⁠⁠ of person. Someone‍‍‍ who patches his​ broken shell with​ fragments of others,⁠‍‌ who cooks his​ sustenance with others’​​ breath and survives⁠ day by day​⁠ with the death‌‌⁠ of others.”

I passed by the⁠⁠‌ entrance where the‌​ librarian had fallen‌⁠ and went deeper‌ into the library.‍

There​⁠​ was a shelf​‌ area with a modern design, and‍ another reading area⁠‌‍ with sofas and‌‍⁠ tables arranged in‌ harmony.

“Isn’t‍‌‌ he, in essence,‍ a monster of⁠​​ the labyrinth?”

My‌‌ gaze fixed on​​ a book in⁠​⁠ the reading area.⁠

In‍ the center of‍ a space with​​ puff seats and‌‍‍ single and double‌ sofas, there was​ a single book⁠‌ lying there.

“Seon⁠ Yuhan realizes that​‍ he has no⁠​ right to read⁠‍ this book.”

What?‍‌

I can’t read it?​​‌

As⁠ soon as I approached, the book‌‌ snapped shut.

I withdrew the hand⁠‍ I had extended.⁠‍‍

In‌ situations like this,‌‍ it’s not advisable​ to touch anything⁠ lightly.

“A‍ feeling of regret‌⁠​ lingers in Seon⁠‍⁠ Yuhan’s heart, thinking‌‌‍ that if he‍⁠ had arrived a little earlier…”

Yes,⁠ maybe then I would have had⁠​​ the chance to⁠ open that book,⁠‌ or the librarian⁠‍ wouldn’t have died,⁠ or Choi Jaeha‌‌​ wouldn’t have died…‍ or me.

“Seon⁠ Yuhan silently began‍ to do what‌‌ he had to​ do. Something that‌‍⁠ a normal person‌⁠⁠ could not do.”‌‌​

I ignored the voice​‍ that kept echoing⁠ like a hallucination​⁠ even after leaving​​‌ the library.

I have to live.​‍ Even if I die. I have‌ to get out​ alive.

That⁠ is my rule.‌‍⁠

“Do⁠ rules have to‌​‌ be followed? Like⁠ in the labyrinth?”⁠‍‍

Sssk,​ sssk.

I focused only on​ the sound of​​ fabric dragging across‌ the hallway floor.⁠⁠

“Oh!”‍

When‌​⁠ I opened the​​ door to Woori‍ Saenal Daycare, the‍ goose plush I already knew came⁠ running out, wobbling.​​

“Who‍⁠ the hell is​⁠ this lunatic who⁠ drags along the⁠ floor an ugly⁠‌‍ doll that no‍‍ one would even⁠‌⁠ want as a gift and walks⁠‌ into the daycare?”⁠​⁠

Calling​‌​ a human a doll?

When⁠ the doll is⁠​ itself.

“Ah…‌‍⁠ but he is​‌ an employee. Is⁠​ there no way‍⁠⁠ he can pass?”​⁠‌

“Do​​ you think so?‌‌ Especially with a defective product like‍‌⁠ that?”

It‍⁠ seemed that that⁠​ expressionless plush had‍​ one.

“Woori‍​‌ Saenal Daycare prohibits‍ entry to outsiders.”‌

…Next‌ time I’ll have​ to bring him‍ alive.

**⁠

5-1.‍⁠ An employee’s corpse‌​ does not help​‍‌ you enter the​ daycare.

**‍​‌

“If‌ it were possible​⁠​ to turn back⁠ time, what would‍​ you do, Mr.​​ Seon Yuhan?”

“I​‍ would go to‍‌⁠ the library…”

“The‌‌‌ library… And have​‍‌ you thought about‍‌​ what book you‌‍ would read there?⁠‌⁠ Books can always‍​ be read at⁠​ any time, but⁠​ some should only‍ be read at‌‍ the right moment.‌ In the end,‌⁠ the impression changes‍ depending on the​‌ reader’s state, their⁠ experience…”

I waited for him‌ to finish before​ speaking.

“Mr.⁠ interviewer, this building⁠‌​ has become a labyrinth.”

Then​‌ I explained all‌⁠‍ the rules and‍ precautions I had⁠‍ learned with my⁠⁠​ body.

“Ah,​‌⁠ and if you‍⁠‍ are going to​​⁠ take something from⁠⁠​ the merchandise store…⁠‌⁠ always pay in​⁠ cash. No… better​⁠ don’t even go‌ in.”

“Ah…​ alright…”

The‍ interviewer, confused, asked‍ me again if​ I was okay.‌

“Yes,​⁠⁠ I’m fine.”

We⁠‌ both knew it⁠‍ was a lie.‌‌​

“Then…‌‌ see you later.⁠ Get out alive.”‍⁠‍

“Yes,‌⁠ we will see⁠⁠⁠ each other.”

Hopefully‌ at least that‌⁠ isn’t a lie.​

***​

Bang!‌

Crash—!​​ Boom—! Bang—!

Boom—!‍⁠‍ Thud—!

I managed to safely⁠‌ retrieve the accountant‌ Choi Jaeha from‌ the elevator and⁠​⁠ showed him the​‌​ absurd reality of​ this labyrinth where,‍ no matter how​‍ much you go‌⁠‌ down, you always‌ end up on‌ the second floor.​‌

Thud,‍ bang!

“Ugh!‌​ It won’t break!‍‍ Aaah!”

Choi‌⁠⁠ Jaeha went crazy‍‌ for a while,⁠‍​ trying to break‍ a window to‍‌ escape, but eventually​​ calmed down.

“So,⁠ what do we​‍⁠ do now?”

“First‌ I’ll go to‍‍‍ the library.”

“Why?‍‍ Shouldn’t we check​‌ everything? The daycare,‌ Tarae, the auditorium?”​

“It’s‍‍ my decision. If​​ you want, you‍ can go on⁠ your own.”

“No,​⁠ I was just‍‍⁠ asking out of⁠ curiosity.”

The⁠‌ accountant, whose size​‍ was inversely proportional​​ to his courage,​ walked behind me.⁠

“By‌​ the way, have‍⁠‌ you been to‌‌‍ the library?”

“No.”‍​‍

“Only⁠ employees can enter?”⁠

“No,‌ anyone in the⁠ company can. I should also read‍​ more but I don’t have time.”‌‍⁠

People‍​‌ who read make⁠​‌ time to read.⁠‌​

“Mr.​ Choi Jaeha.”

I stopped in front​ of “Chaekbang Ollae”.‍‌

“Before‍​ entering, I warn‍​⁠ you. It’s dangerous.‌‌ Even if it‌‌ looks safe, you​​ can die at‍ any moment.”

“Yes,‌‌ yes, understood, mom.”​⁠

He⁠⁠​ frowned, but then​‌​ smiled.

“I⁠‍​ know that in​​ invasive labyrinths people‍ die. I’m not​ a child.”

He‌ looked like one.‌

“But⁠​‌ you’re trying to⁠ get out. So​⁠‌ it’s better to‌ follow you than​⁠‌ stay trembling and​ die.”

An​‍​ adult?

“Although‍‌ I don’t promise⁠ not to blame⁠‌ you if everything‌ goes wrong.”

I don’t know if‌⁠‌ he’s a child​​⁠ or an adult.‌

“Yes,⁠​ you can blame​ me if you​​‌ want.”

“What‌‌ kind of answer​‌⁠ is that?”

He⁠‌​ opened the door.‍‌

“Huh?”​‌

As‌‍‍ soon as I heard that, I prepared to die.​‍‍

……‌‌​

But‌ nothing happened.

Two⁠ women were there,⁠​ looking at us.⁠‌‍

One‌ with a black​​‌ suit and a ponytail.

Another‍ with a gray​​ cardigan.

“How‍​⁠ did you get​​⁠ in?”

“Through⁠‌ the door.”

“How​​ did you open​⁠‌ it?”

“By​ turning the handle…”⁠

“And‍ it opened?”

“Yes…”​⁠

“It‌⁠‌ didn’t for us.”‌

“It⁠​‍ did for us.”‍​‍

Clack.‍⁠

“Huh?​⁠‍ Now it won’t‍‌‌ open. Seon Yuhan,‌ what’s going on?”​‍⁠

What‌ a stupid conversation.⁠‌

“Because​‌‍ this is a labyrinth.”

We‌‌‍ are trapped in‍​‍ the library.

“A‌ labyrinth? Really?”

“Yes.”⁠

“It’s‌ true,” Choi Jaeha⁠ added.

“Did‌⁠⁠ you hear the​ noise? It was‍ an elevator falling.⁠‌‍ And even if‌‍ you go down,‌‌‌ you stay on‍ the second floor.‌ There’s no other⁠ explanation.”

“Then…​​⁠ are we trapped…?”‌​

The⁠‍ woman with the⁠ ID collapsed.

Kim‌​⁠ Gilyeong.

The​‍‌ librarian.

“Then…‌⁠ am I going⁠ to die here?”⁠​‍

Yes.‍ She already died‌‍ before.

“Stop‍ talking nonsense.”

The‍​⁠ other woman helped‍⁠ her stand up.‌

“Now​ everything makes sense.​⁠ There’s no internet,​‌‌ no electricity… and​​ the door doesn’t​‍‍ open from the​​ inside.”

“Yes.”⁠​

Was‍‌⁠ it her?

Did‍‌ she kill her?‌

If⁠ so.

We‌ are locked in‌ with someone who‌ could kill.

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